Björn explains his inspiration:
"My purpose was to examine the individual letter, its shape and typographic qualities. Our letters have many characteristics comparable to the human: there’s big and small letters, thin and fat, there’s an indication of movement in the italic letter and every upper-case letter has a younger sibling, the lower-case.
Within the field of typography we have a definition for the different parts of the letter which is called the anatomy of the typeface and partly reminds of our own anatomy: the letters have arms and legs, eyes and ears, spines et cetera."
All images belong to Björn Johansson via streetanatomy
