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Wednesday, 30 July 2014

Three-minute fix...yoga hand exercise

A simple exercise can help you to prevent long-term digit damage










Photograph: Graeme Robertson

If you're reading this online, stop. Lift your hand and let it relax with the palm upwards in front of you. Look at it. If you spend hours each day typing you'll certainly notice the palm of your hand is concave, with the fingers curling round. As you get older, this will  happen even more, and can lead to arthritic pain and reduced mobility.

"I remember an architect in one class," recalls Pam Horton, a teacher-trainer for the British Wheel of Yoga. "He said that when he got up in the morning his fingers were curved over. He had to manually straighten them."

Horton recommends a very easy exercise to prevent long-term damage.
"Put your left hand out with the palm facing upwards, separating your left thumb out to the side," she says. "Keep the forearm, wrist and palm out in a straight line from the elbow.
"Now turn your right hand palm-down," Horton continues, "and make a kind of crocodile's mouth with the thumb as the lower jaw, and the four fingers as the upper jaw. Grip the fingers of your left hand in this mouth, with your right thumb forming a supportive beam beneath the four knuckles of your left fingers where they join the hand. Without bending your wrist, gently bend the fingers down beyond the horizontal and hold them there for 12 seconds. Release and then repeat. Now reverse the process and do the same stretch twice on the other hand."

Horton recommends doing this three times a day, although you could do more, or fewer, depending on how much time you feel you spend with your hands curved over.

Article by Leo Benedictus
Via The Guardian,

Hanging out



YES to hanging out. This is why.
Perhaps get a bar, unless your household doors are industrial, and definitely don the pop socks and lipstick.

Hanging instructions here...

(Images found here)

Grips


Hands by Andres Serrano

Making Colour


Painting: Giovanni Battista Salvi da Sassoferrato 'Virgen rezando' (The Virgin in Prayer) 1640-50

I went to see the 'Making Colour' exhibition at The National Gallery last week. I was completely transfixed by the colour of Sassoferrato's Virgin Marys cloak. Go and see this painting if you can,  the reproductions don't do it the slightest bit of justice. 


1) Chantal Michel
2) Paolo Sorrentino, dir., The Great Beauty, 2013.

Yves Peintures




"In 1954, Yves Klein made a looseleaf booklet with ten color plates of monochrome paintings that didn’t exist. The Yves Klein Archives describes them as commercial samples of colored paper, tipped in and given arbitrary dimensions and locales: Tokyo, Madrid, Nice, Paris and London. Fictional monochrome artist book making tells me two things: make things up, and make things."

 -- Claire Cotrell from Colors Come and Go

“To travel is very useful, it makes the imagination work, the rest is just delusion and pain. Our journey is entirely imaginary, which is its strength.”

--Louis-Ferdinand CĂ©line, Journey to the End of the Night 

Tuesday, 29 July 2014

Maggie Casey



Installations by Maggie Casey.



keep it simple




After each exhalation there is a yawning release that happens in the body, right through to the palms of the hands and down to the soles of the feet. You just have to let it happen.

It's not about doing, but letting these tiny little messages travel as far as the hands and as far as the feet allowing you to feel fully in contact with the ground.

(Source: Daniel Minnick)

Spirit Moves

The hands the hands!
I think the spirit is in the hands....most definitely an extension of the heart.

Monday, 28 July 2014



(image found here)

Gabriel Orozco
'my hands are my heart'

Hands

“Behold the hands, how they promise, conjure, appeal, menace, pray, supplicate, refuse, beckon, interrogate, admire, confess, cringe, instruct, command, mock and what not besides, with a variation and multiplication of variation which makes the tongue envious.”

-- Michel de Montaigne

Claudia Wieser





Claudia Wieser, a new favourite!
"Look around you: I mean it. Pause, for a moment and look around the room that you are in. I’m going to point out something so obvious that it tends to be forgotten. It’s this: that everything you can see, including the walls, was, at some point, imagined."

--Neil Gaiman

Sunday, 27 July 2014

Sunday Tune

Sunday Tune

this is how i walk
when i have given up
do you see how free
the body moves?
the bones inside
the skin are loose
and i know if i could see you
that you’d be walking
like this, too

Friday, 25 July 2014

le weekend




Zaragoza, März 2014 © LaĂ­a ArgĂĽelles

Phrases

I've been thinking a lot about transitions in my own practice recently, like really really precise foot work when climbing and noticing the subtle shifts in weight when doing floor work, and how important awareness in those small linking movements improve the quality of the shapes with bigger demands on the body.
It's been a really nice theme for my classes this week too. To prepare for class I've been making little 'movement riddles' for my self. I'll start with a particular asana or pattern (I think of it as a phrase) and then break that phrase down to the most basic elements try it with pauses, linked with more fluid movement,  then reversed and maybe inverted...I end up holding acres of movement in my head, what I'm going to teach always starts like a broken jigsaw. In getting students to use these phrases to inquire about their own movement we learn together. I love that. 

 

Monday, 21 July 2014

Diana Scherer





Diana Scherer is an artist / photographer / collector and her work and process is one that I appreciate and admire greatly. The above photos are of wildflowers and weeds grown from seed and taken from her garden in the Netherlands and patiently manipulated, sometimes for up to six months, in vases so that the soil and roots are coerced to take the shape of the vessel. When the moment is right, she breaks the vases and 'captures' her pieces. Thus, collecting the fleeting moment of a bloom in it's prime before it fades and dies. After shooting it she puts it back in her garden.

“The ambiguous nature of collecting intrigues me,” she says. “It involves loving attention as well as a fanatical desire to control. The collector documents and stores the object of his desire in a systematic and detached way. I also treat and present my work in an objective manner, even though working with nature has an emotional charge for me.”  - D. Scherer


read more about her process and work here
see more of her work here