Friday, 30 September 2016
‘You Aren’t like Most Girls’
"How dare you tell me ‘I am not like most girls’,
when those ‘girls’ you refer to
are my sisters and mothers, my friends,
the very solace and the kindness I have sought
when the worst things in my life have happened?
How dare you assume
I should take that as a compliment,
and beam at you like it is praise
when you are alienating me
from the very core
of my proudly female being?
There are a thousand ways
to tell me you love me,
and making my sisters small
to make me big
isn’t one of them.
Tell me you love me, but not because I am different.
Tell me you love me, just because you do."
- ‘You Aren’t like Most Girls’ | Nikita Gill
when those ‘girls’ you refer to
are my sisters and mothers, my friends,
the very solace and the kindness I have sought
when the worst things in my life have happened?
How dare you assume
I should take that as a compliment,
and beam at you like it is praise
when you are alienating me
from the very core
of my proudly female being?
There are a thousand ways
to tell me you love me,
and making my sisters small
to make me big
isn’t one of them.
Tell me you love me, but not because I am different.
Tell me you love me, just because you do."
Tuesday, 27 September 2016
Friday, 23 September 2016
"Caillois ... called stones l’orĂ©e du songe—the shore of dreaming—and he amassed a wonderful collection, which he left to the Museum of National History in Paris where you can go and look at them; he also wrote two luminous books about stones. These are not about precious stones such as diamonds and rubies but about dendrites, agates, Chinese scholars’ stones—pebbles and rocks that look like nothing much at first but can open up wonders under contemplation ... They lead him to understanding the physical make-up of the world, its 'algebra, vertigo, and order.' He exults in their inscrutability and their lack of affect, their silence, their sheer stoniness. "
The Writing Of Stones
A selection of stones from Roger Caillois' s collection, found via Arts and Science Journal
"Who knows whether this tumult of triangles inscribed in stone, first brought about by nature and then by art, does not contain one of the secret cyphers of the universe?
"I see the origin of the irresistible attraction of metaphor and analogy, the explanation of our strange and permanent need to find similarities in things. I can scarcely refrain from suspecting some ancient, diffused magnetism; a call from the center of things; a dim, almost lost memory, or perhaps a presentiment, pointless in so puny a being, of a universal syntax."
—From The Writing of Stones
Thursday, 22 September 2016
Recommended Read
-- Byrd Baylor“Everybodyneedsa rock.I’m sorry for kidswho don’t havea rockfor a friend.I’m sorry for kidswho only haveTRICYCLESBICYCLESHORSESELEPHANTSGOLDFISHTHREE-ROOM PLAYHOUSESFIRE ENGINESWIND-UP DRAGONSAND THINGS LIKE THAT —ifthey don’t havearockfor a friend.”

Everybody Needs A Rock by Byrd Baylor, illustrated by Peter Parnall, is not just for kids. Follow her simple but insightfull tips on searching for the perfect rock to the letter and you'll find yourself moving and looking in all the ways nature intended. Priceless.
Thursday, 8 September 2016
kill your idols
Kill your idols and your fables
Take your weapons off the table
It's only mercy now that you need in your world
Lay your burdens on my shoulders
For a while until it's over
I'm gonna love you like we're all each other have
Labels:
eric bachmann,
kill your idols,
mercy,
music,
song,
tune,
words,
youtube
Friday, 2 September 2016
Thursday, 25 August 2016
back to the drawing board
The marvelous Marthe Armitage, found via evencleveland:
'Making takes time, commitment and training. People expect to make their fortunes at the drop of a hat these days.'
Amanda Brazier
The work of Amanda Brazier, making her own paint from things she collects to layer her canvases. I LOVE the process.
Beyond talent lie all the usual words:
discipline, love, luck, but – most of all, endurance.
-- JAMES BALDWIN via The Paris Review
Saturday, 20 August 2016
Tuesday, 16 August 2016
Just do your work. And if the world needs your work it will come and get you. And if it doesn’t, do your work anyway. You can have fantasies about having control over the world, but I know I can barely control my kitchen sink. That is the grace I’m given. Because when one can control things, one is limited to one’s own vision.
- Kiki Smith
Wednesday, 10 August 2016
community
I’ve said before that it’s important to have people that believe in you as much as you believe in yourself. Your community doesn’t have to be big but it has to have the heart
— Tina Dangread her interview on apieceapart.com
Wednesday, 3 August 2016
Tuesday, 2 August 2016
Dear Good Looker,
Gosh. So much to tell, so little time. Let's cut to the chase....
I need your help, dearest reader, with a project I have been busy putting together. I cordially invite you, and your loved ones, to celebrate the space of otherness, difference and delight that your body occupies through THIS SURVEY all about movement.
I need your help, dearest reader, with a project I have been busy putting together. I cordially invite you, and your loved ones, to celebrate the space of otherness, difference and delight that your body occupies through THIS SURVEY all about movement.
********
**** ABOUT MOVE ME ****
********
**** ABOUT MOVE ME ****
********
Move Me is
an ever evolving survey designed to prompt people to think more deeply
about their bodies in terms of movement choices, habits and patterns.
The project is about commonality: The one thing we all have in common is
that we have to move to live.
Researching the whys and ways of movement is a part of my job as a yoga teacher. I know there is a vast amount of information and advice about the way we 'should' move out there, but often lacking from this are the personal stories, from a variety of different backgrounds and experiences, that shape each of us in discrete and individual ways. Through eight years of teaching it is these stories that have come to help finesse what I do beyond the more 'evidence based' scientific discourse. This thread is a vital part of the map to understanding what it is we need to feel well.
Human beings are not built to float you see. They need an earthly anchor of meaning and care so they don't get left in confusion. This survey, with your help, is my contribution that anchor of meaning. The information gathered is being used on an ongoing blog and as research for an art project, both aim to express a riot of opinion and give a snapshot of the complexity of modern movement decisions with cultural influences; a portrait of the human body today revealing impulses that influence our daily ritual of being.
Researching the whys and ways of movement is a part of my job as a yoga teacher. I know there is a vast amount of information and advice about the way we 'should' move out there, but often lacking from this are the personal stories, from a variety of different backgrounds and experiences, that shape each of us in discrete and individual ways. Through eight years of teaching it is these stories that have come to help finesse what I do beyond the more 'evidence based' scientific discourse. This thread is a vital part of the map to understanding what it is we need to feel well.
Human beings are not built to float you see. They need an earthly anchor of meaning and care so they don't get left in confusion. This survey, with your help, is my contribution that anchor of meaning. The information gathered is being used on an ongoing blog and as research for an art project, both aim to express a riot of opinion and give a snapshot of the complexity of modern movement decisions with cultural influences; a portrait of the human body today revealing impulses that influence our daily ritual of being.
Anyone who has a body is invited to take part and I am also open to creative submissions about movement, like this wonderful story, from everyone and anyone.
Join me for this major shift in cultural thinking and be the laxative which lubricates the constipation of the way we contemplate movement (I'm so sorry about that sentence).
Join me for this major shift in cultural thinking and be the laxative which lubricates the constipation of the way we contemplate movement (I'm so sorry about that sentence).
CONVINCED? THEN MOVE TO THE SURVEY
(please note, you can answer anonymously and you DO NOT have to answer everything, just whatever takes your fancy.)
(please note, you can answer anonymously and you DO NOT have to answer everything, just whatever takes your fancy.)
********
**** FORWARD THIS POST ****
********
**** FORWARD THIS POST ****
********
The
revolution is now. Yay! However, I know finding people willing to give
up precious time to fill out a long winded survey is hard (I have no idea why). So,
following the runaway success of my past newsletters free hug
initiative, I urge you to forward this email to ALL PEOPLE WITH BODIES
that might be interested in taking part. Come to me (click here) with evidence of your benevolence, and I will send you something magic in the post.
You can be social and forward via the magic of these buttons....
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| Forwar |
Thursday, 28 July 2016
we cannot know that we are illuminated by a great light
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| My Red Hills, Georgia Okeeffe |
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| Ed Ruscha |
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| Rite of Spring, Pina Bausch |
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| Agnes Martin |
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| Stefania Vasques |
That light cannot be known directly is expressed in contemporary terms by Peter Russell. When speaking of the light of consciousness, he asserts:
Although all we ever see is light, paradoxically, we never know light directly. The light that strikes the eye is known only through the energy it releases. This energy is translated into a visual imagery in the mind, and that image seems to be composed of light—but that light is a quality of mind. We never know the light itself.
Russell is speaking from a scientific viewpoint, but the fact that we can never know light itself is helpful in appreciating the working of boundless compassion. When the light of compassion illuminates our existence, it reveals our self-delusions. Hiroyuki Itsuki ... describes this as follows:
We cannot know that we are illuminated by a great light simply by looking up into the sky. But if we lower our heads and look down at our feet we can clearly see the long, dark shadow that stretches out from us. We know that the darker and blacker that shadow is, the brighter the light that shines upon us.
Taitetsu Unno, Shin Buddhism: Bits of Rubble Turn into Gold.
Found via Evencleveland
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