"I wanted to show parallels and differences in thinking about objects and time and space, or time and activity. A key is the idea that the artist’s hand has been replaced by factory fabrication. The phrasing in dance suggests that in terms of tradition, musical phrasing, accents and dealing with a given set of movements or a development of movement in time are substituted by energy, equality and found movement. In traditional ballet no one ever walks as they walk in the street; in my early performances, I was criticized for doing this. What came to be known as reductivism and minimalism were simply a way of challenging all these notions of what constituted art. Cage was key here. In his piece 4’33” where David Tudor sat at the piano for that length of time and you started listening to what was going on around it introduced a whole new way of teaching and of looking at the world. As Cage says, it was so beautiful if you just paid attention to it."-- Yvonne Rainer talking to Chrissie Iles for Frieze Magazine.
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